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    Taproot Audio Design offers world class mastering services and  state-of-the-art gear at down-to-earth prices. For the uninitiated, mastering can be somewhat of a mystery. Mastering is the process of assembling a collection of individual songs into a cohesive album by making them sound like they belong together in tone, volume and timing (spacing between selections). It is the "final step" in the process of recording a CD and sometimes referred to as the first step in the manufacturing process. It also proves to be very useful by introducing a “third ear” into the recording process to provide a fresh perspective to the project. Also, with the increasing ease and popularity of home recording, mastering can often make the difference in a "good" recording and a "great" recording. ALL commercial releases are mastered. Mastering is not a piece of gear or "magic box" that music is run through and comes out mastered. It is more of an art form that relies on the engineer's experienced ear and knowledge of various musical genres. The steps taken and/or equipment used in mastering can vary greatly from project to project, but in general will include one or more of the following processes:
1. Noise Reduction
2.Equalization 
3.Stereo Image Manipulation 
4.Multiband Compression 
5.Sidechain/Bandpass Compression 
6.Program Compression and/or Limiting
7.Dithering and Re-sampling
8.Relative Level Adjustments 
9.Fade Ins/Outs and Track Spacing
10.Input of PQ codes (see below)


PQ Codes- The PQ codes are the information that is entered into the data track on the CD. This includes the track start times, ISRC codes, UPC codes, track titles, CD title, copyright/publishing information, additonal credits, etc. ISRC codes are used by radio stations and record companies to track airplay of songs. If you have a UPC code , it can be entered into the data area of the CD as well, for improved tracking of CD sales.


Mastering- $400/flat fee*  (* 74 minute program limit with no extensive editing. Time extending over 8 hours will be billed at $65/hr. One reference CD and onePQ-Coded Master CD for replication is included in price)
Additional edits or revisions- $65/hour
Digital Editing- $65/hr. (1 hour minimum)
Additional reference copies- $10/each

Mastering Equipment List-
Compressors: Avalon Design VT-747, WAVES 5.0® Native Masters L2 Ultramaximizer, Linear Phase Multiband Compressor, +L1 Ultramaximizer, C4 Multiband Parametric Processor, Bomb Factory BF-76, LA-2A, Renaissance Compressor, Urei LA-5, Gates Sta-Level, ITA LA1-B, DBX 263X De-Esser, C1 Parametric Compander
Equalizer's- Manley Massive Passive EQ, Crane Song HEDD "Harmonically Enhanced Digital Device", WAVES® Native Masters Linear Phase EQ, Renaissance Equalizer, Moogerfooger Lowpass Filter, Q10 Paragraphic, MOOG 10-Band Graphic
Reverbs/FX- WAVES 5.0® Native Gold Bundle, Renaissance Reverberator, MaxxBass, S1 Stereo Imager, Supertap, Metaflanger, D-Fi, D-Verb, Maxim, Enigma, Supertap, MondoMod, Doppler, UltraPitch, MetaFlanger, TrueVerb Room Emulator, AudioTrack, PAZ Psychoacoustic Analyzer WAVES 5.0® Restoration Bundle, X-Click, X-Noise, X-Crackle, X-Hum,  AKG BX-5 Spring Reverb
Preamps- BAE Neve 1272 (x2)
Console- CM Labs Motor Mix®, Coleman Audio M3
Monitors- Tannoy System 800 Active Monitors, KRK V6 SeriesII, Acoustic Research 18B (powered by Mackie 1400i power amp), Altec Lansing Multimedia, The Rack Blaster
Recorders- Pro Tools Digi002 Rack® v. 6.9.2, Microboards StartRec 400 CD Recorder/Duplicator (4 drives at 8x each), Glyph X-Project 40 Gig Firewire HD, Tascam DA-40 DAT, Tascam 202 MKIII Dual Cassette, Alesis Masterlink® ML-9600, Roxio® Toast with JAM
Computer Hardware- Apple MacIntosh G5 Dual 1.8MHz/1.2Gig RAM, w/ 15" Apple Flat Screen Monitor, Glyph Plexwriter 12x4x32 CD Recorder, OWC Mercury Elite 80G Firewire HD (x2)
AD/DA- Crane Song HEDD
 

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